Robert Johnson and the electric guitar

What is it about Robert Johnson that invites speculation? From his (re)appearance in popular music in the 1960s, to his resurgence in the early 1990s, he must be the African-American musician about whom most drivel has been written and spoken.

Now that the biography by Bruce Conforth and Gayle Dean Wardlow is out—my review: essential reading—, speculation should diminish significantly. Never mind that, I now offer you a bit of guessing, at least to provide some context regarding Johnson and the electric guitar, an instrument with a tradition in blues and rock heavily influenced by Johnson, even though he never really played it himself.

Roy Eldridge's photographs: pulling a thread

Back in 2013, in the aftermath of Hurricane Sandy, the saga of trumpeter Roy Eldridge's earthly possessions came to light. All may have seem to be lost, but only a few days ago it was announced that the University of North Texas Music Library had "finished digitization and metadata for almost 700 photos, newspaper clippings, date books, and other documents in the Roy Eldridge Collection belonging to the Sherman (Texas) Jazz Museum." This collection can now be seen here.

As of today, the collection holds 527 photographs. Even with some damage, these are a treasure, like the numerous images of Eldridge's short-lived big band, the JATP tours with Norman Granz, or the December 7, 1945 gig by this group:

• Coleman Hawkins, "Texas Tom" Archia: tenor saxes
• Roy Eldridge: trumpet
• Thelonious Monk: piano
• Al McKibbon: bass
• Denzil Best: drums
• Helen Humes: vocals

Thelonious Monk, Helen Humes, Coleman Hawkins, Roy Eldridge
(Source)

Let it be a reminder that there is lot of jazz beyond the records.