Bud Powell with the 'Birth of the Cool' nonet

Bud Powell at Birdland

One the many discoveries made by Peter Pullman in his definitive biography of Bud Powell is that the pianist sat in once with Miles Davis's short-lived Nonet, of "Birth of the Cool" fame. 

We know the regular pianist was John Lewis, who also contributed a number of arrangements ("Move", "Budo", "Why Do I Love You") and compositions ("Rouge", "S'il Vous Plaît") and is present in all the recordings except the first studio session, where he was replaced by Al Haig. 

According to Pullman, Powell's sitting in took place some time in 1950 at Birdland. In his book (pp. 138-139) he quotes extensively from budding pianist Sy Johnson, then just about 20 years old and living in Connecticut, for whom the trip to New York City to see and listen the Miles Davis Nonet (and the Lennie Tristano Sextet) must have been a special occasion, even though it wasn't remembered by any of the musicians Johnson spoke to years later.

A radio broadcast from Birdland 1952

Kai Winding pictured by Bill Gottlieb, c. January 1947

In his Past Daily website, Gordon Skene has recently uploaded a NBC broadcast from September 9, 1952, with two bands, a quartet led by Pete Brown, and a sextet with Kai Winding at the helm. Tracks and personnel are, as introduced by the MC, as follows:

Pete Brown (alto sax), Sir Reginald Ashley (piano), Leonard Gaskin (b), Hayward Jackson (d).

     00:34  How High the Moon
     03:36  Strike Up the Band
     07:13  Perdido

Kai Winding (trombone), Kenny Dorham (trumpet), Jackie McLean (alto sax), Horace Silver (piano), Gene Ramey (bass), Ed Shaughnessy (drums)

     12:37  Always
     19:50  Stardust
     23:06  Rifftide (How High the Moon)

The music in this broadcast may be a bit disappointing, or perhaps some of us forget that not everything from the past is a masterpiece. Even so, it's better than OK, despite the short sets, the rather conventional songlists and the striking youth of some future stars like Silver and McLean, 24 and 21 respectively. You can actually hear the MC asking their names during the announcements:

"... fellow at the piano is named Silver, right?
... Horace Silver, and the fellow on alto...
...Jackie McLean"

Because he's not so well known, Pete Brown's set is more interesting, especially since his own records place him closer to R&B than bebop.

This radio broadcast, a real blast from the past, can be heard here.

Past Daily is here, and also on Facebook and Twitter.