Spanish writer Pío Baroja (1872-1956), asked by a journalist about literature, circa 1918, also talks about music:
[Works that look old, too touched up] are the ones which provoke enthusiasm in audiences. It happens in literature as well as in music - generally, unless the listener recalls the melody they will not like the work. Summing up will always be successful, because its context is already there [...] This kind of summing-up works may have some new elements, but the fewer new elements in them, the better they're liked by the audience.Soon after he places himself within the audience.
Waltzes have always been very suggestive to me. Even though they're so worn down, so overused, they still affect me.
Pío Baroja, Las Horas Solitarias
(Ediciones 98, Madrid 2011, pp. 330 y 333)
(Ediciones 98, Madrid 2011, pp. 330 y 333)
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