Showing posts with label be bop. Show all posts
Showing posts with label be bop. Show all posts

Sunday, February 3, 2019

Jacob Rex Zimmerman

Jacob Rex Zimmerman

As his website explains, Jacob Zimmerman is a sax and clarinet player based in Seattle. He's 32, and he has two records out focusing on jazz as it was played in the 1940s. The earlier one, Recording Ban, refers to the stoppage to commercial recording imposed by union boss James Petrillo, starting in August 1, 1942 and ending in 1943-44 (depending on the record label). The title of his latest record, More of That, sounds like a reference to the previous one, delving as it does in music from around those years.

Revivalism in jazz in a tricky subject, open to all sorts of questions, starting with whether it should be done at all. For the epicurean listener who enjoys the records of that kind of music, the chance to hear it re-recorded or, better still, live, will always be welcome, despite the obvious risk for disappointment, proportional to the listener's familiarity with the originals on record.

Wednesday, August 29, 2018

Bird quotes Satchmo

When Charlie Parker and Dizzy Gillespie burst into the jazz scene in the mid-1940s, much was made of the presumed animosity between the new and the older generations of musicians. Although there were some noises in that direction, let's just say that jazz journalism paid too much attention to celebrity status, fans and gossip.

Back in 1928, Louis Armstrong recorded this classic cadenza as the opening for his "West End Blues":



Charlie Parker must have been listening, since he used it twenty years after Armstrong, at least twice on record, both times while playing the blues, one at Carnegie Hall on Christmas day, 1949:



the other at St. Nicholas Arena in New York (St. Nick's), a couple of months later:


PS 2022-03-25: And a third one, on May 30, 1953, at Birdland with Bud Powell on piano and Charles Mingus on bass.