tag:blogger.com,1999:blog-5111788345564582878.post5667721113359393080..comments2023-10-25T11:15:07.927+01:00Comments on Easy does it: Lennie Tristano Personal Recordings 1946-1970: The contrafactsFernando Ortiz de Urbinahttp://www.blogger.com/profile/09630700849177588445noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-5111788345564582878.post-36294764803468566472023-08-29T08:42:37.588+01:002023-08-29T08:42:37.588+01:00Very NiceVery NiceHasnainhttps://www.blogger.com/profile/16117580161234080398noreply@blogger.comtag:blogger.com,1999:blog-5111788345564582878.post-54758908004261437482022-11-16T21:56:40.063+00:002022-11-16T21:56:40.063+00:00Thanks for the info.
The composer wasn't the...Thanks for the info. <br /><br />The composer wasn't the only beeficiary of the new tune. Often the producer, label owner, or manager would make sure to get in on the action by being the tune's publisher, thereby owning 50% of the composition. Often, the publisher did not have to split his share with other companies, whereas the composer would split his portion with any co-writers. holycownychttps://www.blogger.com/profile/06219205992431281163noreply@blogger.com