"There has to be a piano at home, not a freezer or anything like that, just a piano... not even a telly, but there has to be a piano."
Tuesday, November 27, 2012
Thursday, November 15, 2012
I've just come across some footage of a Frank Sinatra concert in Sydney (Australia) from 1961. That was a time when Sinatra was at the top of his game, the end of his glorious years with Capitol, before his problems with the Kennedys, before the Rat Pack, years before "Strangers in the Night".
Sunday, November 4, 2012
German saxophonist Peter Brötzmann (b. 1941), one of those guys who could make you a straight soprano sax by blowing on a curved one, is one of the stalwarts of European free improvisation. He came up at the end of the 1960s and, while he might be expected to have drawn inspiration for similarly-minded American players, this is what he says about the his seminal, groundbreaking, even violent Machine Gun (1968) and his unlikely model.
"I wanted to sound like four tenor saxophonists, that's the sound that I wanted... I got the idea from the Lionel Hampton band, the big band he had, with four really heavy saxophonists in the front line and they played unison. That's the sound I've been trying to get, that's what I was attempting with Machine Gun and that's what I'm still chasing"
Peter Brötzmann, interviewed in the November issue of Wire magazine.
Brötzmann will be, with his Chicago Tentet at London's Cafe Oto on November 9-10, as part of the London Jazz Festival.
Lionel Hampton: "Flying Home" (1967)
Peter Brötzmann: "Machine Gun" (1968)